No slouching
She bumps along the edge of the bed
as if the mattress were a familiar shoreline.
What name fits this fierce contest?
She’s inching toward recovery,
gym-bunny rehearsal
for the transfers her body is relearning.
No slouching
She bumps along the edge of the bed
as if the mattress were a familiar shoreline.
What name fits this fierce contest?
She’s inching toward recovery,
gym-bunny rehearsal
for the transfers her body is relearning.
Care is a chord
First, take a breath as you enter,survey the scene, scan for signs of progress.Speak slowly; let her smile make you beam.
When she tells you she is a Christmas Carol,
nod, though she’s not quite sure of the year.
Raise an eyebrow as she tells the speech therapist she’s 20.
Reassure her it’s okay she removes her earsto rest from the world; recovery is tiring work.Stay until Dad arrives - care is a chord not a single note
Pond's Twelve: A Melodrama
The stroke team promised me a plan today,
after Mum’s MRI, and I braced for something clinical,
instead, a slick and cinematic diamond heist surfaced,
but the universe, trickster that she is,
sent ducks instead.
Twelve of them.
Masked.
Organised.
Unionised.
Pond level professionals with a taste for chaos
and a getaway route through the reeds.
Meanwhile, the witches were stirring the cauldron,
the druids were faffing in stone circles,
and a gladiatrix, soft-spoken museum educator by day,
wielder of the gladius Fulminata by night,
leaned on her sword like a woman waiting
for the plot to catch up.
My house, as ever, anchors as the gathering place.
Not for mermaid balls (though there is a tail in my drawer
when I take off my koala skin),
but for brunches on good china,
where check-ins are a sacrament
and someone always brings potato salad
as an offering to the household gods.
There is a love story:
my parents, modelling devotion like it is a craft
you can apprentice in.
Lu and I, no longer star-crossed,
just mildly sleep-deprived,
telling our origin myths over espresso martinis
that taste like truth serum.
As for the twins
not evil, just damp,
I refuse to elaborate.
Every melodrama needs a shameful subplot
and that one is mine.
And listen,
I swear on every feather in Pond Twelve
that no tigers were harmed
in the making of this pantomime.
They simply wandered through the scene,
confused but majestic,
as tigers do.
Besides,
plot twist:
I am doing Day 18 on Day 26,
and time, like the ducks,
refuses to behave.
Chestnut in bloom, hope blossoms
at Kent and Canterbury
Chestnut in bloom,
a lantern for the goldfinch,
a quiet roof for its small bright body,
a place where late spring gathers itself.
Visitors from the hospital rest
in its shade, and
oh, the relief of that pause,
shade meaning more than darkness,
a sheltered space where shoulders release.
Then the toddler,
legs full of certainty,
running toward the road,
until I caught her, and her wave rose
like the first word for stay.
Chestnut in bloom, hope blossoms.
Management Track
The boar snorts, says leadership is a path you scent,
not a rota you laminate.
Management counts acorns; leadership knows
which forest needs re‑growing.
I tell him I’m tired of holding clipboards.
He tells me clipboards don’t stop a charge.
“Walk first,” he says, “then others follow.”
“Root deep,” I answer, “so the ground remembers.”